GIP-Sandbox - Revision history

Admin at 12:04, 27 July 2024

2024-07-27T12:04:39Z

← Older revision		Revision as of 12:04, 27 July 2024
Line 118:		Line 118:
	<big>'''Date and Venue of Exhibition''': 16 June 2024; Dolon Village, Beskaragay District, Abay Region, Kazakhstan</big><br>		<big>'''Date and Venue of Exhibition''': 16 June 2024; Dolon Village, Beskaragay District, Abay Region, Kazakhstan</big><br>

	<big>'''Gallery''': [[~~The_Informal_Museum_(2024)_~~-_Gallery\|~~The Informal Museum (2024)~~]]</big><br>		<big>'''Gallery''': [[As_Beru_-_Gallery\|As Beru]]</big><br>

	</div>		</div>

	</div>		</div>

Admin at 12:02, 27 July 2024

2024-07-27T12:02:36Z

← Older revision		Revision as of 12:02, 27 July 2024
Line 110:		Line 110:

	<div style="text-align: justify;">		<div style="text-align: justify;">
	The photos attached were taken during the Kazakh custom named As Beru (literally: giving out the meal). It is given to show respect and remembrance of one's ancestors. The host invites guests who are familiar with their ancestors. Usually, guests are people from the same village, colleagues, and other relatives. From the perspective of informality, the host family organizing the event establishes its status and power among other members of the community. This is demonstrated through organization and leading the event (~~Photo:~~ As Beru - Picture 2) and through financial investments (~~Photo:~~ As Beru - Picture 3). The event also involves financial donations (bata) for local religious leaders (imam) (~~Photo:~~ As Beru - Picture 4).</big><br>		The photos attached were taken during the Kazakh custom named As Beru (literally: giving out the meal). It is given to show respect and remembrance of one's ancestors. The host invites guests who are familiar with their ancestors. Usually, guests are people from the same village, colleagues, and other relatives. From the perspective of informality, the host family organizing the event establishes its status and power among other members of the community. This is demonstrated through organization and leading the event ([[As Beru - Gallery\|Picture 2]]) and through financial investments ([[As Beru - Gallery\|Picture 3]]). The event also involves financial donations (bata) for local religious leaders (imam) ([[As Beru - Gallery\|Picture 4]]).</big><br>
	</div>		</div>

Admin at 11:53, 27 July 2024

2024-07-27T11:53:40Z

← Older revision		Revision as of 11:53, 27 July 2024
Line 91:		Line 91:

	<big>'''Venue''': Pera Museum, Istanbul, Türkiye</big><br>		<big>'''Venue''': Pera Museum, Istanbul, Türkiye</big><br>

			<big>'''Gallery''': [[The_Informal_Museum_(2024)_-_Gallery\|The Informal Museum (2024)]]</big><br>

			</div>

			</div>

			<div class="mainpage_hubbox_divider"></div>

			<div style="display: flex;">
			<div style="width: 30%; border: 1px solid white; padding: 10px; margin-right: 10px;">
			[[File:As Beru - Coverpage.png\|325px]]
			</div>
			<div style="width: 100%; border: 1px solid white; padding: 10px; text-align: justify;">
			<div class="mainpage_pagetitle">
			'''As Beru'''
			</div>

			<div style="text-align: justify;">
			The photos attached were taken during the Kazakh custom named As Beru (literally: giving out the meal). It is given to show respect and remembrance of one's ancestors. The host invites guests who are familiar with their ancestors. Usually, guests are people from the same village, colleagues, and other relatives. From the perspective of informality, the host family organizing the event establishes its status and power among other members of the community. This is demonstrated through organization and leading the event (Photo: As Beru - Picture 2) and through financial investments (Photo: As Beru - Picture 3). The event also involves financial donations (bata) for local religious leaders (imam) (Photo: As Beru - Picture 4).</big><br>
			</div>


			<big>'''Artist''': Madi Zhakupbayev</big><br>

			<big>'''Date and Venue of Exhibition''': 16 June 2024; Dolon Village, Beskaragay District, Abay Region, Kazakhstan</big><br>

	<big>'''Gallery''': [[The_Informal_Museum_(2024)_-_Gallery\|The Informal Museum (2024)]]</big><br>		<big>'''Gallery''': [[The_Informal_Museum_(2024)_-_Gallery\|The Informal Museum (2024)]]</big><br>

Admin at 11:30, 27 July 2024

2024-07-27T11:30:50Z

← Older revision		Revision as of 11:30, 27 July 2024
Line 92:		Line 92:
	<big>'''Venue''': Pera Museum, Istanbul, Türkiye</big><br>		<big>'''Venue''': Pera Museum, Istanbul, Türkiye</big><br>

	~~<big>'''Link to the work''': https://invigilatorresearch.org/nodrawing/</big><br>~~		<big>'''Gallery''': [[The_Informal_Museum_(2024)_-_Gallery\|The Informal Museum (2024)]]</big><br>

	<big>'''Gallery''': [[~~GALLERY_~~-~~_NO_TALKING_//_NO_READING_//_NO_DRAWING_~~(~~2019~~)~~\|See more~~]] </big><br>

	</div>		</div>

	</div>		</div>

Admin at 11:02, 27 July 2024

2024-07-27T11:02:27Z

← Older revision		Revision as of 11:02, 27 July 2024
Line 40:		Line 40:

	<div class="mainpage_hubbox_divider"></div>		<div class="mainpage_hubbox_divider"></div>




	<div style="display: flex;">		<div style="display: flex;">

Admin at 11:00, 27 July 2024

2024-07-27T11:00:59Z

← Older revision		Revision as of 11:00, 27 July 2024
Line 79:		Line 79:
	<div style="display: flex;">		<div style="display: flex;">
	<div style="width: 30%; border: 1px solid white; padding: 10px; margin-right: 10px;">		<div style="width: 30%; border: 1px solid white; padding: 10px; margin-right: 10px;">
	[[File:~~CoverPage~~.~~jpeg~~\|325px]]		[[File:InformalMuseumCoverPage.png\|325px]]
	</div>		</div>
	<div style="width: 100%; border: 1px solid white; padding: 10px; text-align: justify;">		<div style="width: 100%; border: 1px solid white; padding: 10px; text-align: justify;">
	<div class="mainpage_pagetitle">		<div class="mainpage_pagetitle">
	'''~~NO TALKING // NO READING // NO DRAWING~~ (~~2019~~)'''		'''The Informal Museum (2024)'''
	</div>		</div>

	<div style="text-align: justify;">		<div style="text-align: justify;">
	The Invigilator Research Network (IRN) is an evolving group of visual artists who work as gallery guards, while using their jobs as sites of performance. Produced by this partially anonymous UK network of 16 guards, the 2019 exhibition examines the informal practices ~~contesting the existing rules for invigilators. This contemplative collection of drawing~~ and ~~writing when~~ on ~~duty explores~~ the ~~degree~~ of ~~privacy~~ and ~~freedom at the workplace. Such practices have no collective name: they are less universal than individual doodling at meetings, but~~ more ~~consolidated, even if by word-~~of ~~mouth, as practices~~ of ~~secret resistance to~~ the ~~gallery management culture. Identifying these semi-covert~~, ~~knowingly overlooked, or unacknowledged informal practices is a step towards~~ the ~~conceptualisation~~ of the ~~transgressive~~, ~~bottom-up performances~~ of ~~self-expression by invigilators in art galleries~~ and ~~museums across~~ the ~~United Kingdom~~.</big><br>		The project emerged from research into informal vending practices and related production networks on Istanbul´s streets. The gained knowledge was then transferred into the museum context, dealing with creative and flexible strategies of art production and how these might enable a more open and participatory form of museum. By editing architectural sections of the venue, the drawings first break with the form of the museum before adding new „informal“ ideas. It´s not their intent to musealise informality, but to create awareness of social groups which are excluded from museum institutions and the art scene.</big><br>
	</div>		</div>


	<big>'''Author''': ~~Invigilator Research Network~~</big><br>		<big>'''Author''': Helen Hümmer</big><br>

	<big>'''Venue''': ~~Transforming Finance Conference 2019 by People's Private Equity~~, ~~University of Greenwich~~, ~~London~~</big><br>		<big>'''Venue''': Pera Museum, Istanbul, Türkiye</big><br>

	<big>'''Link to the work''': https://invigilatorresearch.org/nodrawing/</big><br>		<big>'''Link to the work''': https://invigilatorresearch.org/nodrawing/</big><br>

	~~<big>'''Direct link to the catalogue''': https://drive.google.com/file/d/1BJ6JGFF1ToKBiSF7QKA8qFlADehnQC-m/view</big><br>~~

	<big>'''Gallery''': [[GALLERY_-_NO_TALKING_//_NO_READING_//_NO_DRAWING_(2019)\|See more]] </big><br>		<big>'''Gallery''': [[GALLERY_-_NO_TALKING_//_NO_READING_//_NO_DRAWING_(2019)\|See more]] </big><br>

	~~<big>'''Further reading''': Mathur, S. and Singh, K. eds., 2017. ''No Touching, No Spitting, No Praying: the Museum in South Asia.'' Routledge</big><br>~~

	NO TALKING // NO READING // NO DRAWING''' © 2019 by [[Art\|Simon Farid]]''' is licensed under [https://creativecommons.org/licenses/by/4.0/?ref=chooser-v1 '''CC BY 4.0'''] / [https://creativecommons.org/licenses/by/4.0/?ref=chooser-v1 Attribution 4.0 International]
	</div>		</div>

	</div>		</div>

Admin at 22:34, 24 July 2024

2024-07-24T22:34:24Z

Show changes

Admin at 21:56, 24 July 2024

2024-07-24T21:56:45Z

Show changes

Admin at 21:20, 24 July 2024

2024-07-24T21:20:11Z

← Older revision		Revision as of 21:20, 24 July 2024
Line 47:		Line 47:

	Vanessa Boanada-Fuchs \|\| St. Gallen Institute of Management in Latin America, Switzerland		Vanessa Boanada-Fuchs \|\| St. Gallen Institute of Management in Latin America, Switzerland

			==Engaging politically==
			[https://discovery.ucl.ac.uk/id/eprint/10187134/1/The-Encyclopaedia-of-Informality-Volume-3.pdf#page=511 Introduction: political participation] by Uta Staiger \|\| European Institute, UCL, UK

			==Ageing power==
			[https://discovery.ucl.ac.uk/id/eprint/10187134/1/The-Encyclopaedia-of-Informality-Volume-3.pdf#page=551 Introduction: demystifying ageing and power] by:

			Gemma Carney \|\| Queen’s University Belfast, Northern Ireland

			Mia Gray \|\| Cambridge University, UK

			==Informal care and the end==
			[https://discovery.ucl.ac.uk/id/eprint/10187134/1/The-Encyclopaedia-of-Informality-Volume-3.pdf#page=593 Introduction: elderly care and ambivalence] by Elena Zdravomyslova \|\| European University at St. Petersburg, Russia

			==Concluding remarks: the Big Three and informality==
			[https://discovery.ucl.ac.uk/id/eprint/10187134/1/The-Encyclopaedia-of-Informality-Volume-3.pdf#page=635 Concluding remarks: the Big Three and informality] by Jan Nederveen Pieterse \|\| Distinguished Professor and Mellichamp Chair in Globalization, University of California, Santa Barbara, USA

Admin at 20:54, 24 July 2024

2024-07-24T20:54:21Z

← Older revision		Revision as of 20:54, 24 July 2024
Line 31:		Line 31:
	==Gaining an advantage==		==Gaining an advantage==
	[https://discovery.ucl.ac.uk/id/eprint/10187134/1/The-Encyclopaedia-of-Informality-Volume-3.pdf#page=309 Introduction: trickster] by Mark Lipovetsky \|\| Columbia University, New York, USA		[https://discovery.ucl.ac.uk/id/eprint/10187134/1/The-Encyclopaedia-of-Informality-Volume-3.pdf#page=309 Introduction: trickster] by Mark Lipovetsky \|\| Columbia University, New York, USA

			==Informal income==
			[https://discovery.ucl.ac.uk/id/eprint/10187134/1/The-Encyclopaedia-of-Informality-Volume-3.pdf#page=345 Introduction: informal economy] by Colin C. Williams \|\| Management School, University of Sheffield, UK

			==Becoming an entrepreneur==
			[https://discovery.ucl.ac.uk/id/eprint/10187134/1/The-Encyclopaedia-of-Informality-Volume-3.pdf#page=389 Introduction: entrepreneurship] by Abel Polese \|\| School of Law and Government, Dublin City University, Ireland

			==Living on the edge==
			https://discovery.ucl.ac.uk/id/eprint/10187134/1/The-Encyclopaedia-of-Informality-Volume-3.pdf#page=427 by Endre Sik \|\| Centre for Social Studies and ELTE University, Hungary

			==Settling in==
			[https://discovery.ucl.ac.uk/id/eprint/10187134/1/The-Encyclopaedia-of-Informality-Volume-3.pdf#page=467 Introduction: informal housing and beyond] by:

			Anthony Boanada-Fuchs \|\| St. Gallen Institute of Management in Latin America, Switzerland

			Vanessa Boanada-Fuchs \|\| St. Gallen Institute of Management in Latin America, Switzerland