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Difference between revisions of "Informal Art"
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=='''Open Call:'''== | =='''Open Call:'''== | ||
<big>'''The [[Global Informality Project]] invites submissions to the Informal Art Hub with a prospect of a volume on Informal Art for the UCL Press [https://www.uclpress.co.uk/collections/series-fringe Fringe series:]'''</big><br> | <big>'''The [[Global Informality Project]] invites submissions to the [[Informal Art]] Hub with a prospect of a volume on Informal Art for the UCL Press [https://www.uclpress.co.uk/collections/series-fringe Fringe series:]'''</big><br> | ||
*Art that operates in fringe sites/spaces | *Art that operates in fringe sites/spaces | ||
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NO TALKING // NO READING // NO DRAWING''' © 2019 by [[Art|Simon Farid]]''' is licensed under [https://creativecommons.org/licenses/by/4.0/?ref=chooser-v1 '''CC BY 4.0'''] / [https://creativecommons.org/licenses/by/4.0/?ref=chooser-v1 Attribution 4.0 International] | NO TALKING // NO READING // NO DRAWING''' © 2019 by [[Art|Simon Farid]]''' is licensed under [https://creativecommons.org/licenses/by/4.0/?ref=chooser-v1 '''CC BY 4.0'''] / [https://creativecommons.org/licenses/by/4.0/?ref=chooser-v1 Attribution 4.0 International] | ||
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'''The Informal Museum (2024)''' | |||
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The project emerged from research into informal vending practices and related production networks on Istanbul´s streets. The gained knowledge was then transferred into the museum context, dealing with creative and flexible strategies of art production and how these might enable a more open and participatory form of museum. By editing architectural sections of the venue, the drawings first break with the form of the museum before adding new „informal“ ideas. It´s not their intent to musealise informality, but to create awareness of social groups which are excluded from museum institutions and the art scene.</big><br> | |||
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<big>'''Author''': Helen Hümmer</big><br> | |||
<big>'''Venue''': Pera Museum, Istanbul, Türkiye</big><br> | |||
<big>'''Gallery''': [[The_Informal_Museum_(2024)_-_Gallery|The Informal Museum (2024)]]</big><br> | |||
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'''As Beru''' | |||
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The photos attached were taken during the Kazakh custom named As Beru (literally: giving out the meal). It is given to show respect and remembrance of one's ancestors. The host invites guests who are familiar with their ancestors. Usually, guests are people from the same village, colleagues, and other relatives. From the perspective of informality, the host family organizing the event establishes its status and power among other members of the community. This is demonstrated through organization and leading the event ([[As Beru - Gallery|Picture 2]]) and through financial investments ([[As Beru - Gallery|Picture 3]]). The event also involves financial donations (bata) for local religious leaders (imam) ([[As Beru - Gallery|Picture 4]]).</big><br> | |||
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<big>'''Artist''': Madi Zhakupbayev</big><br> | |||
<big>'''Date and Venue of Exhibition''': 16 June 2024; Dolon Village, Beskaragay District, Abay Region, Kazakhstan</big><br> | |||
<big>'''Gallery''': [[As_Beru_-_Gallery|As Beru]]</big><br> | |||
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