Difference between revisions of "Travel influencers (Global)"
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| nameofpractice = Travel influencers | | nameofpractice = Travel influencers | ||
| flagemoji = đ | | flagemoji = đ | ||
| definition = | | definition = Social media opinion leaders focused on travel and tourism | ||
| location = Global | | location = Global | ||
| imagemap = World map.png | | imagemap = World map.png | ||
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|style="font-size:1.1em;"| | |style="font-size:1.1em;"| Travel influencers shape opinions and inspire travelers by sharing their experiences on social media. They provide online advice on where to find the best places to rest, where to have fun and how to avoid typical touristic traps (Fabry, 2008: 13). Named ''influenceur voyage'' in French, ''influencer viajeros'' in Spanish or ''wang hong'' in Chinese, these individuals represent a ânew type of independent third-partyâ (Freberg, Graham, McGaughey and Freberg, 2011: 90) who claims to embody an authentic voice in a profit-oriented leisure market while having a significant impact on it (Xu and Pratt, 2018: 958). Â | ||
|} | |} | ||
It is generally admitted that influencers produce their original content only out of passion (Reech 2020). Nevertheless, sponsorships are frequently practiced among | It is generally admitted that influencers produce their original content only out of passion (Reech, 2020). Nevertheless, sponsorships are frequently practiced among social media influencers. Classical actors of the tourist sector seek to partner with the most followed opinion leaders in order to reach a broader audience (Bayle, 2019). Indeed, new communicative behaviors on the internet affect the way of selling destinations. Web 2.0 has been transforming tourism globally by both empowering people âto identify, customize and purchase tourism productsâ and to undertake âreservations in a fraction of timeâ (Buhalis and Law, 2008: 609-610). Data shows that, even before 2007, user-generated content has been creating more than US$10 billion in online travel purchases per year (Xu and Pratt, 2018: 958). Unlike cases of [[follower buying]], travel influencers have a real content engaged audience. Ratings, comments, regular assessments from travelers are game-changers. Touristic promotion is no longer about the location benefits than it is about understanding consumersâ demands (Fabry, 2008: 13). Â | ||
To measure | To measure influencerâs weight, companies rely on the number of daily hits on a blog, the number of times a post is shared, or the number of followers (Freberg, Graham, McGaughey and Freberg, 2011: 90). Micro-influencers normally broadcast their activities to a scale from 1 000 to 100 000 individuals whereas the expert ones bring together sometimes millions (Bayle, 2019). They navigate and publish their narratives on different web platforms. They adapt each content to the targeted interface and their respective audienceâs characteristics. For instance, a blog enables to provide tourists with practical information to organize a stay abroad. Instagram allows exploring visual and esthetical aspects of the leisure trip. YouTube is a dynamic and vivid invitation to reproduce the examples proposed in the videos. As new generations account more and more on online social media to obtain travel information (Xu and Pratt, 2018: 959), the tourism industry has been facing increasing economic challenges. | ||
Influence is a very popular concept in management disciplines (Vaublanc (de) 2019: 237-239). The notion is nonetheless not recent in social sciences. In the thirteenth century, the word was known to be used in Astrology and meant to define the ''fluxus'' which supposedly flowed from the stars to change the fate of menâ (Huyghe 2009: 139). Today, the meaning of this term remains linked to persuasion. While advertising strategies operate through many iterations of the productâs benefits, influence is more easily related to reasoning and seduction. The goal is to modify peopleâs mental paradigms so they can âchooseâ to act according to expected behaviors (Op. Cit.: 141). To make this kind of exhortation effective, web communities managers have to prove they are entitled to make recommendations (Charaudeau 2009: 6-7). Their voice must be perceived as a truthful, informed and attractive source (Xu, | Influence is a very popular concept in management disciplines (Vaublanc (de), 2019: 237-239). The notion is nonetheless not recent in social sciences. In the thirteenth century, the word was known to be used in Astrology and meant to define the ''fluxus'' which supposedly flowed from the stars to change the fate of menâ (Huyghe, 2009: 139). Today, the meaning of this term remains linked to persuasion. While advertising strategies operate through many iterations of the productâs benefits, influence is more easily related to reasoning and seduction. The goal is to modify peopleâs mental paradigms so they can âchooseâ to act according to expected behaviors (Op. Cit.: 141). To make this kind of exhortation effective, web communities managers have to prove they are entitled to make recommendations (Charaudeau, 2009: 6-7). Their voice must be perceived as a truthful, informed and attractive source (Xu and Pratt, 2018: 959). Producing texts, images and videos based on the real experience of travel allows internet users to provide advice. The perception of content creators' statements authenticity is based both on the process of publishing these testimonials and on the intonations of a word that is intended to be familiar and enthusiastic (Rosier, 2006: 117). To address travel topics in an informal way differentiates these spokespersons from the habitual seriousness of the touristic industry communication, making them look more credible. Â | ||
Despite a playful tone, | Despite a playful tone, social media influencers are highly skilled. Their capacities to create and animate multiple social web communities require technical and publishing aptitudes. Indeed, in order to improve their visibility on the Internet they must know how to optimize their ranking in search engines by using html language or by sharing hyperlinks with other web players (Cardon, 2013: 33). They generally are educated people. To maintain their audienceâs interest, they need to write and publish regularly new content. In addition, they have to show and demonstrate the knowledge of their field to make their voice credible as the one of an expert (Juillet et Racouchot, 2012: 162-163). To do so, they structure their posts with the same textual organizations and headings that traditionally characterize guidebooks and travel magazines (âthe top ten best places to visitâ, âthe 10 best cheap eats in...â, âwhere to stayâ, âthings to doâ). They take similar pictures to those of the touristic advertising productions (the traveler faces a wonderful and unbelievable beautiful view alone or with his/her companion). Â | ||
In their speech, they use the discursive routines that mainly appear in touristic promotion leaflets as well. Destinationsâ descriptions are full of exclusively positive reviews with no or just a few negative comments that are immediately neutralized by mentioning a superior benefit (Kerbrat-Orecchioni 2004: 137). They use adjectives specific to the semantic fields of magic and authenticity to characterize the uniqueness of the place presented as touristic brochures do (Dann 1996: 55-62). Through these semiotic and discursive strategies, | In their speech, they use the discursive routines that mainly appear in touristic promotion leaflets as well. Destinationsâ descriptions are full of exclusively positive reviews with no or just a few negative comments that are immediately neutralized by mentioning a superior benefit (Kerbrat-Orecchioni, 2004: 137). They use adjectives specific to the semantic fields of magic and authenticity to characterize the uniqueness of the place presented as touristic brochures do (Dann, 1996: 55-62). Through these semiotic and discursive strategies, travel influencers nourish peopleâs desire to travel (MacCannell, 2013: xvi; Boorstin, 1992: 84). Those abilities are all directed into one objective: to build in discourse the image of a credible touristic recommendation. Â | ||
The activity of travel influencers consists of transforming a web community into potential consumers through equally seductive and authentic testimonials seasoned with apparent amateurism. As travelers are overwhelmed by touristic offers, digital nomads emerge as truthful voices. They create, for their followers, discursive, visual, and graphic injunctions to desire the world through travel. Â | The activity of travel influencers consists of transforming a web community into potential consumers through equally seductive and authentic testimonials seasoned with apparent amateurism. As travelers are overwhelmed by touristic offers, digital nomads emerge as truthful voices. They create, for their followers, discursive, visual, and graphic injunctions to desire the world through travel. Â | ||
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==References== | ==References== | ||
Bayle, N. 2019. âLes influenceurs changent la face du marketingâ, lemonde.fr, | Bayle, N. 2019. âLes influenceurs changent la face du marketingâ, ''lemonde.fr'', 6th Octobre, https://www.lemonde.fr/economie/article/2019/10/06/les-influenceurs-changent-la-face-du-marketing_6014435_3234.html | ||
Boorstin, D. 1992 [1962]. The Image: A Guide to Pseudo-Events in America, New York: Vintage Books Editions | Boorstin, D. 1992 [1962]. ''The Image: A Guide to Pseudo-Events in America'', New York: Vintage Books Editions | ||
Buhalis, D. and Law, R. 2008. âProgress in information technology and tourism management: 20 years on and 10 years after the Internet â The state of e-Tourism researchâ, Tourism Management, 29: 609-623 | Buhalis, D. and Law, R. 2008. âProgress in information technology and tourism management: 20 years on and 10 years after the Internet â The state of e-Tourism researchâ, ''Tourism Management'', 29: 609-623 | ||
Cardon, D. 2013. âDans lâesprit du PageRank â une enquĂȘte sur lâalgorithme de Googleâ, RĂ©seaux, 177 : 63-95 | Cardon, D. 2013. âDans lâesprit du PageRank â une enquĂȘte sur lâalgorithme de Googleâ, ''RĂ©seaux'', 177 : 63-95 | ||
Charaudeau, P. 2009. âLe discours de manipulation entre persuasion et influence socialeâ, Patrick-Charaudeau.com, 6 avril 2021, | Charaudeau, P. 2009. âLe discours de manipulation entre persuasion et influence socialeâ, ''Patrick-Charaudeau.com'', 6 avril 2021, | ||
http://www.patrick-charaudeau.com/Le-discours-de-manipulation-entre.html | http://www.patrick-charaudeau.com/Le-discours-de-manipulation-entre.html | ||
Dann, G. M. S. 1996. The Language of Tourism, A sociolinguistic Perspective. Wallingford: Cab International | Dann, G. M. S. 1996. The Language of Tourism, A sociolinguistic Perspective. Wallingford: Cab International | ||
Fabry, P. 2008. âLe web 2.0 sâinstalle au cĆur des stratĂ©gies touristiquesâ, Espaces, 265 : 12-18 | Fabry, P. 2008. âLe web 2.0 sâinstalle au cĆur des stratĂ©gies touristiquesâ, ''Espaces'', 265 : 12-18 | ||
Freberg, K., Graham, K., McGaughey, K., | Freberg, K., Graham, K., McGaughey, K., and Freberg, L. A. 2011. âWho are the social media influencers? A study of public perceptions of personalityâ, ''Public Relations Review'', 37: 90-92 | ||
Huyghe, F.-B. 2009. âInfluenceâ, Medium, 18: 138-149 | Huyghe, F.-B. 2009. âInfluenceâ, ''Medium'', 18: 138-149 | ||
Juillet, A., Racouchot, B. 2012. âLâinfluence, le noble art de lâintelligence Ă©conomiqueâ, ''Communication et organisation'', 42 : 161-174 | |||
MacCannell, D. 2013. The Tourist -a New Theory of the leisure class - 2e, Berkeley: University of California Press | Kerbrat-Orecchioni, C. 2004. âSuivez le guide ! Les modalitĂ©s de lâinvitation au voyage dans les guides touristiques : lâexemple de lââĂle dâAphroditeââ, In Baider, F., Burger, M. and Goutsos, D. (dir.), ''La communication touristique - Approches discursives de l'identitĂ© et de lâaltĂ©ritĂ©''. Paris: LâHarmattan: 134-150 | ||
 | |||
MacCannell, D. 2013. ''The Tourist -a New Theory of the leisure class'' - 2e, Berkeley: University of California Press | |||
Reech.com. 2020. âLes influenceurs et les marquesâ, 31 mars 2021, https://www.reech.com/fr/influence-etude-reech-2021 | Reech.com. 2020. âLes influenceurs et les marquesâ, 31 mars 2021, https://www.reech.com/fr/influence-etude-reech-2021 | ||
Rosier, L. 2006. âDe la vive voix Ă lâĂ©criture vive. Lâinterjection et les nouveaux modes dâorganisation textuelsâ, Langages, 161 : 112-127 | Rosier, L. 2006. âDe la vive voix Ă lâĂ©criture vive. Lâinterjection et les nouveaux modes dâorganisation textuelsâ, ''Langages'', 161 : 112-127 | ||
Vaublanc (de), G. 2019. Image, rĂ©putation, influence â comment construire une stratĂ©gie pour vos marques. Malakoff: Dunod | Vaublanc (de), G. 2019. ''Image, rĂ©putation, influence â comment construire une stratĂ©gie pour vos marques''. Malakoff: Dunod | ||
Xu, X. and Pratt, S. 2018. âSocial media influencers as endorsers to promote travel destinations: an application of self-congruence theory to the Chinese Generation Yâ, Journal of Travel & Tourism Marketing, 7: 958-972 | Xu, X. and Pratt, S. 2018. âSocial media influencers as endorsers to promote travel destinations: an application of self-congruence theory to the Chinese Generation Yâ, ''Journal of Travel & Tourism Marketing'', 7: 958-972 | ||
Latest revision as of 16:55, 15 May 2021
| Travel influencers đ | ||
|---|---|---|
| Location: Global | ||
| Definition: Social media opinion leaders focused on travel and tourism | ||
| Keywords: Global â Influence â Influencers â Cyberinformality â Internet â Social media â Tourism â Entrepreneurship | ||
| Author: Eugénie Pereira Couttolenc | ||
| Affiliation: Laboratoire Ăducation, Discours, Apprentissage. FacultĂ© des Sciences Humaines et Sociales â Sorbonne de lâUniversitĂ© Paris Descartes. | ||
By EugĂ©nie Pereira Couttolenc, Laboratoire Ăducation, Discours, Apprentissage. FacultĂ© des Sciences Humaines et Sociales â Sorbonne de lâUniversitĂ© Paris Descartes.
| Travel influencers shape opinions and inspire travelers by sharing their experiences on social media. They provide online advice on where to find the best places to rest, where to have fun and how to avoid typical touristic traps (Fabry, 2008: 13). Named influenceur voyage in French, influencer viajeros in Spanish or wang hong in Chinese, these individuals represent a ânew type of independent third-partyâ (Freberg, Graham, McGaughey and Freberg, 2011: 90) who claims to embody an authentic voice in a profit-oriented leisure market while having a significant impact on it (Xu and Pratt, 2018: 958). |
It is generally admitted that influencers produce their original content only out of passion (Reech, 2020). Nevertheless, sponsorships are frequently practiced among social media influencers. Classical actors of the tourist sector seek to partner with the most followed opinion leaders in order to reach a broader audience (Bayle, 2019). Indeed, new communicative behaviors on the internet affect the way of selling destinations. Web 2.0 has been transforming tourism globally by both empowering people âto identify, customize and purchase tourism productsâ and to undertake âreservations in a fraction of timeâ (Buhalis and Law, 2008: 609-610). Data shows that, even before 2007, user-generated content has been creating more than US$10 billion in online travel purchases per year (Xu and Pratt, 2018: 958). Unlike cases of follower buying, travel influencers have a real content engaged audience. Ratings, comments, regular assessments from travelers are game-changers. Touristic promotion is no longer about the location benefits than it is about understanding consumersâ demands (Fabry, 2008: 13).
To measure influencerâs weight, companies rely on the number of daily hits on a blog, the number of times a post is shared, or the number of followers (Freberg, Graham, McGaughey and Freberg, 2011: 90). Micro-influencers normally broadcast their activities to a scale from 1 000 to 100 000 individuals whereas the expert ones bring together sometimes millions (Bayle, 2019). They navigate and publish their narratives on different web platforms. They adapt each content to the targeted interface and their respective audienceâs characteristics. For instance, a blog enables to provide tourists with practical information to organize a stay abroad. Instagram allows exploring visual and esthetical aspects of the leisure trip. YouTube is a dynamic and vivid invitation to reproduce the examples proposed in the videos. As new generations account more and more on online social media to obtain travel information (Xu and Pratt, 2018: 959), the tourism industry has been facing increasing economic challenges.
Influence is a very popular concept in management disciplines (Vaublanc (de), 2019: 237-239). The notion is nonetheless not recent in social sciences. In the thirteenth century, the word was known to be used in Astrology and meant to define the fluxus which supposedly flowed from the stars to change the fate of menâ (Huyghe, 2009: 139). Today, the meaning of this term remains linked to persuasion. While advertising strategies operate through many iterations of the productâs benefits, influence is more easily related to reasoning and seduction. The goal is to modify peopleâs mental paradigms so they can âchooseâ to act according to expected behaviors (Op. Cit.: 141). To make this kind of exhortation effective, web communities managers have to prove they are entitled to make recommendations (Charaudeau, 2009: 6-7). Their voice must be perceived as a truthful, informed and attractive source (Xu and Pratt, 2018: 959). Producing texts, images and videos based on the real experience of travel allows internet users to provide advice. The perception of content creators' statements authenticity is based both on the process of publishing these testimonials and on the intonations of a word that is intended to be familiar and enthusiastic (Rosier, 2006: 117). To address travel topics in an informal way differentiates these spokespersons from the habitual seriousness of the touristic industry communication, making them look more credible.
Despite a playful tone, social media influencers are highly skilled. Their capacities to create and animate multiple social web communities require technical and publishing aptitudes. Indeed, in order to improve their visibility on the Internet they must know how to optimize their ranking in search engines by using html language or by sharing hyperlinks with other web players (Cardon, 2013: 33). They generally are educated people. To maintain their audienceâs interest, they need to write and publish regularly new content. In addition, they have to show and demonstrate the knowledge of their field to make their voice credible as the one of an expert (Juillet et Racouchot, 2012: 162-163). To do so, they structure their posts with the same textual organizations and headings that traditionally characterize guidebooks and travel magazines (âthe top ten best places to visitâ, âthe 10 best cheap eats in...â, âwhere to stayâ, âthings to doâ). They take similar pictures to those of the touristic advertising productions (the traveler faces a wonderful and unbelievable beautiful view alone or with his/her companion).
In their speech, they use the discursive routines that mainly appear in touristic promotion leaflets as well. Destinationsâ descriptions are full of exclusively positive reviews with no or just a few negative comments that are immediately neutralized by mentioning a superior benefit (Kerbrat-Orecchioni, 2004: 137). They use adjectives specific to the semantic fields of magic and authenticity to characterize the uniqueness of the place presented as touristic brochures do (Dann, 1996: 55-62). Through these semiotic and discursive strategies, travel influencers nourish peopleâs desire to travel (MacCannell, 2013: xvi; Boorstin, 1992: 84). Those abilities are all directed into one objective: to build in discourse the image of a credible touristic recommendation.
The activity of travel influencers consists of transforming a web community into potential consumers through equally seductive and authentic testimonials seasoned with apparent amateurism. As travelers are overwhelmed by touristic offers, digital nomads emerge as truthful voices. They create, for their followers, discursive, visual, and graphic injunctions to desire the world through travel.
References
Bayle, N. 2019. âLes influenceurs changent la face du marketingâ, lemonde.fr, 6th Octobre, https://www.lemonde.fr/economie/article/2019/10/06/les-influenceurs-changent-la-face-du-marketing_6014435_3234.html
Boorstin, D. 1992 [1962]. The Image: A Guide to Pseudo-Events in America, New York: Vintage Books Editions
Buhalis, D. and Law, R. 2008. âProgress in information technology and tourism management: 20 years on and 10 years after the Internet â The state of e-Tourism researchâ, Tourism Management, 29: 609-623
Cardon, D. 2013. âDans lâesprit du PageRank â une enquĂȘte sur lâalgorithme de Googleâ, RĂ©seaux, 177 : 63-95
Charaudeau, P. 2009. âLe discours de manipulation entre persuasion et influence socialeâ, Patrick-Charaudeau.com, 6 avril 2021, http://www.patrick-charaudeau.com/Le-discours-de-manipulation-entre.html
Dann, G. M. S. 1996. The Language of Tourism, A sociolinguistic Perspective. Wallingford: Cab International
Fabry, P. 2008. âLe web 2.0 sâinstalle au cĆur des stratĂ©gies touristiquesâ, Espaces, 265 : 12-18
Freberg, K., Graham, K., McGaughey, K., and Freberg, L. A. 2011. âWho are the social media influencers? A study of public perceptions of personalityâ, Public Relations Review, 37: 90-92
Huyghe, F.-B. 2009. âInfluenceâ, Medium, 18: 138-149
Juillet, A., Racouchot, B. 2012. âLâinfluence, le noble art de lâintelligence Ă©conomiqueâ, Communication et organisation, 42 : 161-174
Kerbrat-Orecchioni, C. 2004. âSuivez le guide ! Les modalitĂ©s de lâinvitation au voyage dans les guides touristiques : lâexemple de lââĂle dâAphroditeââ, In Baider, F., Burger, M. and Goutsos, D. (dir.), La communication touristique - Approches discursives de l'identitĂ© et de lâaltĂ©ritĂ©. Paris: LâHarmattan: 134-150
MacCannell, D. 2013. The Tourist -a New Theory of the leisure class - 2e, Berkeley: University of California Press
Reech.com. 2020. âLes influenceurs et les marquesâ, 31 mars 2021, https://www.reech.com/fr/influence-etude-reech-2021
Rosier, L. 2006. âDe la vive voix Ă lâĂ©criture vive. Lâinterjection et les nouveaux modes dâorganisation textuelsâ, Langages, 161 : 112-127
Vaublanc (de), G. 2019. Image, rĂ©putation, influence â comment construire une stratĂ©gie pour vos marques. Malakoff: Dunod
Xu, X. and Pratt, S. 2018. âSocial media influencers as endorsers to promote travel destinations: an application of self-congruence theory to the Chinese Generation Yâ, Journal of Travel & Tourism Marketing, 7: 958-972